Showing posts with label Robby Tantingco. Show all posts
Showing posts with label Robby Tantingco. Show all posts

Monday, July 8, 2019

112. 5 REPUTATIONS THAT KAPAMPANGANS WERE WELL KNOWN FOR IN THE 1700s.

By Robby P. Tantingco

Kapampangans today are known for their pride, vanity, culinary skills, loud voice, love for the good life and entrepreneurial skills. But what was their reputation back in the early days? Bergano's Kapampangan dictionary (1729) provides us with clues:
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KAPAMPANGAN VANITY
Our female ancestors were magale ("wearing formal dresses outside proper occasion") while our male ancestors were maticas ("good looks, good form in size, waist, figure, shape of legs and calves"), masanting ("handsome"), maticmus ("good figure"), matingquis ("well-dressed"). You can differentiate between a Tagalog and a Kapampangan by putting them on a slippery road: the Tagalog falls while the Kapampangan "very, very rarely falls," according to Bergano.

KAPAMPANGAN PERFECTIONISM
 Our ancestors always insisted on accuracy and excellence, were never satisfied, for example, with grazing a moving target, unlike most Filipinos. "The Pampango," Bergano said, "would say, E me tiran, atambisan mea mu ("You did not hit it, you only grazed it"). Our ancestors had many synonyms for perfection and excellence: sampat ("beauty at its peak;" "the greater perfection"), pauit ("excellence"), liclic ("excellence in writing, debate, running")

KAPAMPANGAN BRAVERY
Bergano wrote, Sagan ya, pablasang indio ya ("He is weak, because he is an indio"), paqui Tagalog ya, nun e talaralit, talaterac ya ("Being a Tagalog, if he is not fond of singing, he is fond of dancing"), paqui Capampangan ya, magmatapang ya ("Being a Kapampangan, he is brave").

KAPAMPANGAN PARIOTISM
Ancient Kapampangans felt a strong attachment to their land and fellow Kapampangans. Bergano observed that our ancestors were proud pablasang daya lang Capampangan ("for they belong to the Pampango nation"). Kapampangans, he wrote, were misangdaya ("you are my countryman," "we have the same blood," "we are all Pampangos") and cadaya ("We are of the same blood even if we are not relatives... we are of one nation").

KAPAMPANGAN ACCENT
Kapampangans were maitad ("They speak with a lilt, with their peculiar accent").

SOURCE:
Reposted from Robby Tantingco's FB Page

Monday, September 3, 2018

92. 24 SIGNIFICANT BOOKS ABOUT PAMPANGA YOU MUST KNOW, part II

Part II of the list of 24  Kapampangan books (no.s 13-24), essential reads for every Kapampangan who wants to know about aspects of our history, language, literatature geography, literature, and the lives of Pampanga's leading movers and shakers.
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13. BORN OF THE PEOPLE, by Luis Taruc. 1953. Published by International Publishers. Reprinted 1973.
Sugnificance: A must-read autobiography of the supremo of the Hukbalahap or Hukbong Bayan Laban sa Hapon group between 1942 and 1954. Luis Taruc became involved in the agrarian reform problems in the 1930s. He led his Huk guerrilla operations against the Japanese during World War II. of the Philippines. After the war, the Huks continued to clamor for agrarian reform, but which were unmet by th Roxas government. Though he and some colleagues were elected as congressmen, they were not allowed to take their seats. The  went back to the  hills to resume their armed struggle.


14. JUAN CRISOSTOMO SOTO AND THE PAMPANGAN DRAMA, by Juan S. Aguas. 1963. University of the Philippines, Q.C., reprinted, 2016.
Significance: This is a study on the life and works of the greatest Kapampangan writer Soto (1867-1918), with special reference to his masterpiece, “Alang Dios”. Adapted from the author's thesis from 1955. Soto’s literary output is unparalleled in volume and quantity: 50 plays, over 100 poems, scores of short stories, essays and novels. The verbal joust “Crissotan”, the counterpart of the Tagalog’s Balagtasan was named in his honor.


15. THE PAMPANGANS: Colonial Society in a Philippine Province. By John A. Larkin. 1972, University of California Press-Berkely.
Significance: The first book on Kapampangan colonial and social history that does not only treat the usual fare of historians, but also discusses the socio-economic aspects of Pampanga’s existence, including its problems—cash-crop economy driven by sugar, peasants’ unrest, politics, Chinese migration and inter-marriage with indigenous people. More surprising is that this well-researched book was written by an American, John Larkin from the State University of New York at Buffalo, who made his first trip to Pampanga in 1964. He was made an Honorary Kapampangan in 2017.


16. KAPAMPANGAN LITERATURE: A Historical Survey and Anthology, by Edna Zapanta-Manlapaz. 1981, Ateneo de Manila.
Significance: This is a pioneering study of the secular written literature of one of the country’s major language groups—Kapampangan. This volume, and  Rosalina Icban-Castro’s “Literature of the Pampangos” were the major references for kapmapngan literary works—in drama, poetry, and prose.


17. KAPAMPANGAN WRITING: A Selected Compendium and Critique, by Evangelina Hilario-Lacson. 1984, National Historic Commission.
Significance: A useful collection of selected Kapampangan writings, with much information on Pampanga writers and samplings of their works.


18. RECOLLECTIONS AND DIGRESSIONS, Renato Tayag. 1985. Philnabank Club, Manila.
Significance: A personal memoir and a local history book, rolled into one, written by the esteemed lawyer-journalist-writer  Katoks Tayag, an Angeleño. It includes a section on Pampanga and one article-- “The Vanishing Pampanga Nation” is a classic read. Of this book, Jose Luna Castro notes—“this is a meaty book the reader can bite with relish,,and to go with it is a sparkling wine of humor and wit”.


19. AN ANNOTATED PICTORIAL HISTORY OF CLARK AIR BASE, 1899-1986. David Rosmer. 1984. 13th Air Force Office of History, reprinted 1986. Fort Stotsenburg Historical Foundation.
Significance: A definitive reference book about the history of Clark Air Base—from its early beginnings as Camp Stotsenburg, to its modern-day version. The updated 1986 version encompases the ‘cataclysmic events of 1986” (Marcos’ ouster by the People Power Revolution). The book includes many rare photos of the base facilities from the extensive 13th Air Force history photograph collection, which were left and destroyed during the 1991 Pinatubo eruption.


20. THE NEPOMUCENOS OF ANGELES CITY AND THEIR RELATIVES, by Marco D. Nepomuceno. 1987. Published by the author.
Significance: A major work about Pampanga family history and genealogy, gathered from all recorded data and traditional sources, including the work of Mariano A. Henson—The Descendants of the Founders of Angeles (1966) which the author began updating in 1972. Vintage photos accompany the presentation of the Nepomuceno genealogy, organized in simple, easy-to-follow tables.



21. A SHAFT OF LIFE, by Rafaelita Hilario-Soriano. Printon Press. Q.C. 1996.
Significance: This is one of the few books that deal with the contributions of two Central Luzon revolutionary figures—Nueva Ecija’s Gen. Mariano Llanera and Pampanga’s Tiburcio Hilario, during the first and second phases of the Philippine Revolution, retold by the author who is a Hilario descendant.


22. COMFORT WOMAN, Slave of Destiny. By Maria Rosa Henson. 1996. Philippine Center for Investigative Journalism.
Significance: The first book about the ordeals of a comfort woman, personally written and illustrated by Maria Rosa Luna Henson, a Kapampangan . She burst into the national consciousness in 1992, when she broke half-a-century's silence to talk about her experience as ‘comfort woman’ in a World War II rape camp. Her story The book encouraged other women to come out with their own stories, belying earlier claims that the Japanese did not set up ‘comfort stations’ in the Philippines as they did in Korea, Taiwan and Indonesia.


23. PINATUBO: A VOLCANO IN OUR BACKYARD, by Robert P. Tantingco. 2011. Center for Kapampangan Studies, Holy Angel University.
Significance: The 20th anniversary of the Pinatubo eruption spurred the writing of this book which won a National Book Award from the Manila Critics Circle. The book  traces the terrible eruption in 1991, to aid us in appreciating not just any volcano, but this particular volcano, our Pinatubo. It equips us with the scientific basis for all that happened in 1991, but also rewards us with the unique experience of Kapampangans and the monster mountain in our midst.


24. AN INTRODUCTION TO KULITAN, The Indigenous Kapampangan Script. By Michael Raymon M. Pangilinan. 2012,  Center for Kapampangan Studies, Angeles City.
Significance: Kulitan or Súlat Kapampángan, the indigenous Kapampangan script, has found new followers among young people. This book is the perfect reference to understand the indigenous writing system and learn how to write it. It is a product of a life-long research of the writer, a known Kapampangan language expert. 

SOURCES:
Pinatubo, Kulitan: CKS Publications
Comfort Woman, R. Henson: www.mekeniland.blogspot.com
All other Book Covers: from the CKS Library

Monday, April 10, 2017

42. 7 BEST HOLY WEEK DESTINATIONS IN PAMPANGA (aside from Cutud)

This week, all roads will surely lead to Cutud, and so for a change, why not avoid the madding crowd, take the road less travelled, and discover these little-known Holy Week events in Pampanga:

Photo courtesy of Ivan Anthony Henares
The PASYON SERENATA of Brgy. San Basilio in Sta. Rita (Holy Wednesday evening). You’ve heard the pasyon, you’ve heard the serenata, but I’m sure you haven’t heard the pasyon serenata, which is the Holy Week version of this unique Kapampangan fiesta spectacle. It’s a showdown between two brass bands and their respective choirs who try to outperform each other by chanting the pasyon to the tune of classical operas. They play all night long, one page at a time, until they finish the whole book. The sight and sound of betel-chewing barrio folks singing the entire history of salvation in Kapampangan and to the tune of Verdi and Puccini will blow you away. Despite their guegue it’s a performance worthy of a concert hall instead of some dusty road in a remote farming village.

Photo: Maleldo king Pampanga FB Group
The GRAND ASSEMBLY OF PENITENTS in Mabalacat City (Good Friday early morning).
It’s a scene straight out of a Cecil B. DeMille movie: hundreds, maybe thousands, of half-naked flagellants and cross-bearers in flowing red robes, brought together by sin and tradition, converge in the church patio for an orgy of suffering, self-mutilation and penance. The number of penitents makes you wonder if flagellation, like circumcision, is a rite of passage among boys in Pampanga. (It also makes you wonder why Kapampangans, usually vain, would want to lacerate their skin and flesh and disfigure their pampered bodies.)

Photo by Reuters
The CENACULO of Brgy. Lourdes in Angeles City (Good Friday late morning).
The passion play is performed by actors who I suspect are thugs, stevedores and butchers from the nearby Pampang market, because they chase the actor playing Jesus and beat him up with such realism and violence the poor guy often ends up in the local clinic. It even has a live crucifixion which tourists from Clark and Koreatown must pay an entrance fee of P200 to see.

Photo courtesy of Ivan Anthony Henares
The EXTREME PENITENTS (Maundy Thursday and Good Friday).
They’re all over Pampanga, but it takes luck to catch them—the cross-bearers who carry electric posts and huge banana trunks (seen in Brgy. San Agustin in Magalang), the women cross-bearers, the transvestite cross-bearers, the cross-bearers who tie a samurai around their waist with the tip pressed against their chin to keep their heads up, and the cross-bearers who are tied together to the same cross so that they can take turns carrying it (seen in Dau). In Brgy. Pampang, Angeles City I saw a cancer-stricken mother carrying a cross while her entire family prayed the rosary and followed her around. And then there are the dreadful magsalibatbat, who crawl on the road for miles, rubbing their skin continuously against the concrete until they’re all bruised and covered with dirt. Those who look for actual crucifixions can also try Brgy. Telapayung in Arayat, where they are more private and more heartfelt.

Picture courtesy of Jerry Punzalan Sagmit
The TANGGAL of Guagua (Good Friday).
This is the ritual where a life-size statue of Jesus with moveable neck and joints is taken down from the cross and laid down and dressed up to become the Santo Entierro (The Interred Christ). The town’s Velez-Zaragoza clan performs the elaborate ritual with the same care and solemnity as I imagine a family would prepare a departed member for burial. In the past, parish workers closed all church doors and windows and banged metal to simulate the eclipse and the thunderclaps that supposedly accompanied the Crucifixion, and to arouse the same fear and awe experienced by the Jews. Today, we just rely on the rhetoric and theatrics of the Sieta Palabras speakers.

Picture courtesy of Ivan Anthony Henares
The PASO of Bacolor (Good Friday).
The entire province quiets down as night falls on Good Friday, when parishes hold hushed processions of their heirloom santos, led by the Santo Entierro and the Mater Dolorosa. They’re all happening simultaneously: the candlelit carrozas of Arayat which transport you back in time, the sweet sound of violins playing Stabat Mater in San Fernando (added attraction: rose petals thrown from the balcony of the Rodriguez Mansion), the pomp, pageantry and piety of Sta. Rita reminiscent of Lino Brocka’s Tinimbang ka Ngunit Kulang, the breathtaking beauty of the Mater Dolorosa of Guagua, and the grandeur of the Santo Entierro of Sasmuan. But if you have to attend only one, make it Bacolor, the colonial capital of the province, whose old families, driven away by the lahars of the 1990s, make a sentimental journey back home to accompany their respective paso (float). Tradition dictates that they wear black, cover their heads with pointed hoods, hold icons of the crucifixion and walk barefoot (probably a legacy from ancestors in Seville, Spain). The antiquity and craftsmanship alone of the santos and their silver-plated carrozas will make your jaw drop.

Picture courtesy of Dr. Raymund Feliciano
The UNUSUAL BIYERNIS SANTO PROCESSION of Sasmuan (Good Friday)
Unusual because the grim procession of the dead Jesus and His grieving Mother is followed by a grimmer procession of magdarame (flagellants and cross-bearers). Sasmuan is the only place I know where this strange mix of the folk and the orthodox is allowed. Parish priests often make an effort to eliminate cultural practices to purify the theology of church rituals. For example, the pasyon mustn’t replace the Bible, the puni mustn’t compete with the visita iglesia, and the penitensya musn’t keep people away from the sacrament of confession. But Kapampangans have stubbornly stuck to their folk traditions, and the archdiocese is now finding ways to compromise.

This is Pampanga, where church piety collides with folk defiance, where the holiest days of the year are celebrated in the unholiest manner, where the charming and solemn rites of the Church coexist with the raw, bloody, but ultimately more exuberant rituals of the common folk.

First posted by Robby Tantingco on his facebook page, 21 March 2016.
ROBBY TANTINGCO is the Director of the Center for Kapampangan Studies and Vice President for External Affairs of Holy Angel University. He is the author of "Destiny and Destination" and "Pinatubo: The Volcano in our Backyard" which won a National Book Award. He also wrote the story of the film, “ARI: My Life with a King”, a language advocacy film that won Best Story and Best Screenplay awards from the 2016 Metro Manila Filmfest, Gawad Urian and FAMAS for Best Story.

Thursday, January 26, 2017

34. 12 KAPAMPANGAN CUSS WORDS, EXPLETIVES AND MALEDICTIONS

Our Kapampangan ancestors had a whole catalog of curses and maledictions, mostly graphic, often dirty, many sexual, —all very insulting.













SOURCES:
Adapted and expanded from original articles written by Mr. Robby P. Tantingco for Singsing Magazine, Romancing the kapampangan Language, vol. 4, no. 2. "Ancient Cuss Words"/ "Curses and Maledictions", 

Pictures Sources:
Dipanginalti (man hit by lightning)
 (Mapapa ca sana) Cursing dirty finger
 (Sacdapul) Burning man:
Stock Image: Burning Man Cartoon Character Illustration. Image ...
Dreamstime.com
 (Mabungu): sugar skull clip art
(Maburug) Spotty Teenager
 (Anacputa) Sexy Pin Up Girl
 (Tumbungnibpami) Butt image
 (Putanaydana) Humping dog:
 (Bolang) birdbrain:
 (Murit/Muting) crazyman:

Monday, September 5, 2016

15. 7 LOST KAPAMPANGAN SKILLS

1. BOAT-MAKING
River-dwelling Kapampangans descended from sea-faring Austronesians, and indeed the large adze that H. Otley Beyer found in Candaba in the 1930s proves our ancestors were already carving boats out of tree trunks as early as 3000 B.C. (same time the Egyptians were building the great pyramids). Ancient Kapampangans called these adzes "daras" and sometimes "ipan alti" (lightning tooth) because they looked like large incisors.

2. SHIP-BUILDING. 
The Spaniards put this Kapampangan skill to good use by taking farmers off farmlands and forcing them to build galleons in the Cavite shipyards. It resulted in famine and led to the Kapampangan Revolt of 1660. The old Kapampangan word for ship is "daung" (“dauit,” on the other hand, means “to build a ship”). Part of the Guagua-Pasak River is called Dalan Bapor because ships regularly picked up cargo from a cannery in Guagua. In Pampanga River, ships picked up passengers from towns like Mexico and Apalit (one-way ticket to Manila cost P2.50 in 1880).

3. TOBACCO. 
Kapampangans once cultivated tobacco, particularly in Magalang. The seat of the Tobacco Monopoly in Central Luzon was Gapan, which was once part of Pampanga. The ancient Kapampangan word “makipanungi” referred to someone who worked for pay by stringing up tobacco leaves.

4. WEAVING. 
Our ancestors wove their own clothes from “bulac” (cotton), which they separated into “puyud” (a bundle of cotton prior to spinning), using “cabid” (a measure of cotton). The old Kapampangan verb for spinning cotton is “sulad,” which is why we have the word “sinulad” (thread).

5. DYEING. 
Ancient Kapampangans dyed their everyday clothes blue (white was for special occasions), using extract from the indigo bush called “tayum” (the place Tayuman in Tondo was named after this Kapampangan word). To prevent dyed clothes from fading during laundry, they put “balatung” (mongo seeds) in the water. To remove stains, they cut “balimbing” (or “ternate,” star fruit) and rubbed it on stained clothes.

6. WINE-MAKING. 
Our ancestors took advantage of the nipa palms lining the rivers by extracting juice and turning it into “tuba.” Wine harvesters were called “manuba.” When fermented, this wine became the fragrant vinegar called “aslam sasa.”

7. POTTERY. 
Our rich vocabulary of pottery words indicates the level of sophistication that the industry has reached, most likely since prehistoric times. Kapampangans are able to differentiate a “banga” (water pot) from “kuran” (rice pot) and “balanga” (viand pot). The industry started in the Sto. Tomas-Apalit area, and it’s still there. Pottery was such an important business that at least two capital towns in the ancient Kapampangan Region had names pertaining to pottery: Balanga in Bataan and Iba in Zambales (“iba” in Kapampangan means earthen pot). A barrio in Mabalacat also used to be called Iba.


Sources:
Originally published by Robby P. Tantingco in his FB Notes page.
Ship-building: Filipinas Heritage, vol. 3
Negrito outrigger: www.eastbound88.com
Early Phil. ship: www.aenet.org
Barong Tagalog: www.pinterest.com
Singsing Magazine, Center for Kapampangan Stduies

Sunday, July 3, 2016

3. 10 MOST BEAUTIFUL WORDS OF THE KAPAMPANGAN LANGUAGE


1. RUGU, unique Kapampangan adverb of compassion or relief. It is the Tagalog “Kawawa naman” and “Sa wakas” with 50 more shades of sympathy and you can insert it anywhere in the sentence or even as a stand-alone word, as in Ninanu ne rugu y Pedro? (“Whatever happened to poor Pedro?”) or Mekisawa na ka pala rugu (“I heard you got married already”) or Sinambut ne regu king lotto y Juan (“Juan has won the lotto at last”) or simply Rugo! or Ay rugo! or Rugu naman! (“Oh my!”). I feel good when I say it and feel even better when I hear it, because it softens hard emotions like fear (“Dios ku rugo!”) and anger (“Nananu ka rugu!”).


2. LUID, a noun that means “conservation, prolongation” as in Lumuid ing pamangan (“The food will last”), Maluid ing dutung (“The lumber is good”), and Lumuid ka sa bie (“May you live long”). Today we often say Luid ka! or simply Luid! as a greeting and a wish to mean “May you live long!” or “Long life to you!” (the equivalent of the Tagalog “Mabuhay!”).


3. SUKU, noun, “full term, peak” as in Sinuku yang lulut ing bunga (“The fruit is fully ripe”) and Sinuku ne ing danum (“The tide has reached its peak”). But it also means “indeterminate end, the end that nobody knows when, not even the one who coined the term” as in Manaya ku anggang king suku (“I will wait forever”). When you put luid and suku together as in Lumuid ka anggang suku, you will get “Live till a ripe old age.” The name of the Kapampangan mythical god Sinukuan must have meant “eternal” or “ageless” instead of “surrendered to.” Old documents, in fact, name him as Suku not Sinukuan.


4. TUA, noun, “age, antiquity, maturity, coming of age.” All the good and positive nuances and meanings that the word connotes are found in this simple Kapampangan word, from matua (“old”) to makatua (“the venerable old folks”) to tutua (“maturing”) to ketuan (“attributes of an old man, excelling in age”) to magmatua (“one who plays the role of village elder, to whom everyone pays attention and without whom nothing is decided”). The Tagalog equivalent is tanda, which pales in comparison to the richness of the Kapampangan tua—a word many Kapampangan families have adopted as their surnames.


5. NE, an all-purpose interjection that has no counterpart in other Philippine languages and no equivalent in English but is found in other world languages like Catalan, Czech, German, and Japanese. It is different from the adverb ne (“already”) as in Minta ne keni (“He already came here”). The interjection ne is the Kapampangan equivalent of “okay” or “all right” and is used only for emphasis or reiteration, as in Ika na mu, ne? (“You be the one, okay?”) and is different from the Tagalog “di ba?” (“is it not?” which is “alé?” in Kapampangan). Kapampangans relish using it because it is a term of endearment and instant recognition. Amazing how a single syllable can turn strangers into friends; you hear ne in a crowd and you know there's a Kapampangan in the room!


6. KAPUTUL, noun, “sibling,” which has more emotional content and is more Kapampangan-sounding than its synonym kapatad. Both terms come from two roots with the same meaning (patad and putul, “cut”) which implies two persons cut from the same bloodline or an imagined family rope. Kaka, the word used to address an older sibling, and the shorter Ka, which is used to address a comrade-in-arms, came from the first syllable of kapatad. I am just intrigued by the fact that while patad’s Tagalog equivalent is patid (hence, kapatid), there is no putul in Kapampangan—so how did the Tagalog putul end up in the Kapampangan kaputul?



7. BATALA, noun that refers to the kingfisher, that elusive blue bird of the swamps and marshes of Pampanga. Kapampangans consider the bird sacred and its rare appearances as apparitions. Magbatala ku or Magmanuk ku means to take the augury of the bird, either as an omen of ill fortune or a harbinger of good news. The word’s ancient Sanskrit and Malay roots had meanings ranging from “noble” to “god” which is why batala eventually became Bathala.


8. DAYAT, noun, “irrigated rice fields, ready for seeding.” Ancient Pampanga had vast areas of irrigated rice fields that looked like a large lake or sea, which is why our ancestors had to use the qualifying term dayat malat (“salty irrigated fields”) to refer to the actual sea. The Tagalogs who had borrowed the term, however, dropped malat and corrupted dayat into dagat. Some scholars think that the agricultural town Arayat got its name from the word dayat (d and r are interchangeable in Kapampangan, as in dugo and rugo).



9. LUALU, noun, a remarkable Kapampangan word that means “defending the defenseless, championing the unprotected and the destitute,” which reveals the kind of cultural values we used to have. The reason this word has disappeared from our vocabulary is we have stopped doing such acts of charity and chivalry. As far as I know, there is no similar word in other Philippine languages.


10. ALAYA, noun, “the dawn,” sometimes used as the directional term paralaya (“the east”) which is the opposite of paroba (“the west”), and the mountain sacred to Kapampangans, Bunduk Alaya (Mount Arayat), “mountain where the sun dwells or rises,” similar to the old Sanskrit term himalaya (hima, “snow” + alaya, “dwelling”). Paralaya also means “to go upstream” and paroba “to go downstream,” based on our ancestors' perspective, i.e., from the riverbank communities in Macabebe they paddled their boats on Pampanga River in the direction of Mt. Arayat, located upstream.

Author: Robby Tantingco.
Originally posted on his FB page.