Showing posts with label parul sampernandu. Show all posts
Showing posts with label parul sampernandu. Show all posts

Tuesday, December 18, 2018

103. 10 ARTS AND CRAFTS OF PAMPANGA

In the late 19th and early 20th century, a design trend swept Europe and America called “Arts and Crafts”, a movement that promoted handcraftsmanship over industrial mass production. But long before that, Kapampangans have been creating all kinds of objects with their hands, with utilitarian and decorative functions, for their homes, work, leisure and religion.
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1. KURAN AT PASU (Sto. Tomas)
Utilitarian and decorative clay vessels and containers were among the earliest crafted objects made by man. All sorts of earthenware—including the ubiquitous  ‘kuran’ (round-bottom cooking pot)—have been produced in parts of Pampanga, as recorded by American Thomasite Luther Parker in the 1900s.  Sto. Tomas is the acknowledge pottery center of the province, with many major potters clustered along Quirino street. According to oldtimers, one pioneer potter was Apung Sindung Mercado who made “pilones”, clay jars used in the manufacture of molasses. From making traditional oya, tapayan, kuran, gusi, balanga and pilun , the potters also added ornamental pasu or masetas for growing garden plants and flowers,


2. PUKPUK (Betis, Apalit)
The fine art of metalsmithing was known to pre-Hispanic people in our archipelago, blossoming in the the late 16th to the 19th century, when the Spanish missionaries arrived to introduce the idea of sacred art in which the Chinese excelled. To decorate the altar, Mexican silver coin were melted and fashioned into tabernacles, altar frontals and vessels, ramilletes (silver floral standees), carrozas, and more. Betis artisans mastered the art, locally termed as ‘pukpuk’ (to hammer) as designs were created by chasing and using the repoussé method,  in which designs are raised on a metal sheet by pounding a pattern from the back using a sinsil (blunt chisel). This is achieved by working on the metal against a wooden block, on which designs have been incised. Artisans spread the art to Apalit which once had the largest number of ‘pukpuk’ shops. Names like the Ramirez Family, Edgardo Yutuc and Jeric Canlas continue this tradition to this day.   


3. DUKIT (Betis)
Betis is the town synonymous with quality carved woodcrafts (“dukit” -to carve) —from church and home furniture, decorative architectural pieces,  to religious statuaries and  relief sculptures.  One of its ancient barrios—Sta. Ursula—was known as the premiere source of such carved masterpieces.  A famous resident is Maestro Apung Juan Flores, who started as  a santo carver an expanded into “muebles” and carved wooden furnishings. He made the decorative wooden carvings of Malacanang Palace during the term of Marcos. Angeles, with its many Clark residents, was a major market of woodcarved products during the 50s thru the 80s. Modern-day mandudukit include the descendants of the Flores family, Willy Layug, Peter Garcia, Salvador Gatus, and the artisans of Betis Crafts of Myrna Bituin, who exports their prized furniture worldwide.


4. PARUL (San Fernando)
The lantern industry owes its popularity to San Fernando lantern maker pioneers who evolved the parul from the simple wooden and paper star lanterns for the “lubenas” (procession)  to the giant kaleidoscopic lanterns that the world marvels at, every December’s Giant Lantern Festival. The advent of electricity gave rise to the invention of the rotor by Rodolfo David; which is used to give the lanterns their amazing play of colors. Well-known parol makers include the Quiwas (led by Ernesto David Quiwa), Rolando Quiambao, Arnel Flores, and Jesus Maglalang. The Christmas capital of the Philippines  has parul stores all over the city still selling traditional lanterns. The Dau Expressway exit is line with lantern stores, hawking paruls of all sorts—capiz, LED-lit,  wire and plastic, and even “rope” lanterns.


5. BURARUL (Angeles)
Kite-making,  though not exactly an industry,  requires a certain degree of artistic and technical skill. Believe to have originated in China, these paper and wood air craft are flown mainly for leisure and play—but they were said to be used also for measuring distances and for military communications. In Pampanga, they are called “burarul”, from the Spanish “volador”,  one that flies. The basic “karang-karang” is nothing more than a folded paper with thread. But the more elaborate kites come in box (“tukong”) or diamond shapes (“sapin-sapin”). There are high-flyers (“gurion”) and competition fighter kites (“panyaklit”). The most complicated ones are figural kites mastered by the professional kite-maker Eulogio Catalan of Angeles City. A former sepulturero, Mang Eloy won renown for his imaginative, award-winning kite creations. He made kites in the forms of birds, fishes, angels, saints and figures  of our  national heroes—all using wooden framework,  paper and paint. His most elaborate was a ferris wheel kite with seated human figures, that actually turned when flown on a string. He also introduced the concept of folding kites. The art of kite making died with him, and today, just a handful in Pampanga know how to fashion homemade kites from “tingting” and papel de hapon.


6. DASE (Candaba, San Luis, San Simon)
As early as the 18th century, dictioanarist Fray Diego Bergaño made mentioned of towns lining the Candaba Swamp that were known for weaving house mats or “dase”. Made from “ebus” (buri palm leaves) . These included weaving families from San Luis and San Simon who are skilled in the art of “pamaglala”, or weaving, usually done communally, after the day’s work. Mat weavers or”magdadase” wove fine mats of large, medium and small sizes—made for sleeping or for covering the bamboo floor. For variety, the leaves are dyed in different colors to produce mats with appealing patterns.


7. KUPIA (Apalit)
An allied product from the province’s weaving tradition are hats or “kupia”, an essential accessory for our tropical climate, where  wearing a head protection from the  scorching sun or sudden rains is mandatory.Before commercial hat shops were established in Pampanga, everday functional hats—"kupia"-- were made all over the province. Apalit was once a hat center, and in Barrio Sucad, ‘kupyang ebus’ by the thousands were woven and commercially sold in town markets from as far as Tarlac, Baguio, Bataan, Zambales and Manila. But due to the scarcity of ‘ebus’ materials, production  gradually slowed down in the 1920s. Pampanga shops that operated in the 1930s sold hats of all shapes, sizes and materials. In San Fernando, one could go to La Fernandina, Zapateria Moderna or to the Japanese bazaar of T. Tsuchibashi along Mercado St. and the Indian Bazaar of Battan Singh. "Sombreros del pais y del extranjero" (local and imported hats) could be bought in Macabebe at the Bazar L. Magat, while "El 96" in Angeles offered a few headwear selections.


8. SANTOS (Betis, Macabebe, Bacolor, Apalit)
Although Betis is the center of woodcarving  in Pampanga, it is Macabebe town which is known as the home of santeros. A santero is a craftsman who uses wood, ivory, cement or fiber glass to produce an ecclesiastical art piece known as santo, in the image of Christ, Mary or a Saint. Before the war, fishing and farming were the only means of livelihood of the people of Macabebe. Santo making was then merely an expression of their ingenuity, and the products were mostly for personal use. Pablo “Ambo” Bautista, a local businessman, is credited with promoting santo-making in the town by gathering local artists and putting them to work in a talyer he opened just for them. Sons Antonio (a painter) and Gener (a carver) further grew the business and improved the craft of santo making. This inspired other carvers to put up shops that soon proliferated along the whole stretch of the town’s main road. Others found their way in the other towns of Pampanga. U.P. Fine Arts graduate Maximiano Jingco also set up a pre-war religious statuary shop in Guagua. Second and third generation carvers continued the santo tradition like Rolando and Boyet Flores (from the Flores family of Sta.Ursula), while a new breed of highly trained carvers came to fore—Nick Lugue (Apalit).Wilfredo Layug  (Betis),  Joseph Magcalas (Apalit) ,  Joed Miclat (San Luis) and the Viray brothers (Bacolor).


9. GITARA (Guagua)
Cebu may have a reputation as the Philippines’ guitar industry leader, but the more well-known guitar brands are made in Guagua, Pampanga. The “gitara” has its origins in Spain, and there’s a mention of  a guitar-prototype in Byron Pabalan’s zarzuela “Ing Managpe”—a stringed instrument called “kalaskas”. Another is the pre-Hispanic “kudyapi”, which, like the guitar, has a box and a fretboard. The pioneer guitar maker in Pampanga is a Matuang Bacani who managed to copy an old Spanish guitar. He passed on his techniques to his son-in-law, Angel Lumanog who mastered the craft of guitar-making, opened a shop and started supplying Macabebe, Bacolor, and San Fernando stores. Son, his guitars were being sought after in Manila. Today, the Lumanog brand is a name synonymous to fine guitars. Apart from the Lumanogs, families like the Garcias, Dizons, Mallaris, Jucos and Manansalas engaged in the production guitars.


10. GAWANG PANDE (Apalit)
The first cannon maker of the country was a Kapampangan named Pande Pira, a smith who put up a foundery in Manila to make “lantakas” or cannons, and other artillery to protect the Intramuros and for use in Spanish galleons. Apalit takes pride in continuing this smithing tradition, and is the leading source of world-class steel crafts in the province,  such as bolo, machete, all types of knives and daggers, plus home and garden implements like rakes, hoes, spades, and other tools. The steel products are made the old fashioned way by hammering sheets of metal ,  made malleable by superheating them, then shaped into blades for bolos, palang, knives, scythes, spears or any bladed implement. The industry gave Apalit town its nickname, “The Blacksmith Capital of Pampanga”. In Floridablanca, smiths produced aluminum crafts, using “aluminyu” that are heated and pounded into shape, using molds.

SOURCE:
SINGSING MAGAZINE, "Pampanga's Folk Arts & Crafts: Going, Going, Gone?", Vol. 5, No. 1.Published by the Center for Kapampangan Studies,Holy Angel University. Excerpted and edited from the articles of JoelPabustan Mallari (Dase, Gitara, Kuran, Burarul, Kupia), Arwin Lingat (Santo), Alex R. Castro (Pukpuk), 
www.viewsfromthepamang.blogspot.com (Hold on to that Hat, Hamming on an Old Guitar, The Art of  the Kuran)
PHOTOS:
Alex R.Castro (Pande, Kupia, Gitara, Santos, Parul, Pande, Pukpok, )
Best, Jonathan. A Philippine Album: American Era Photographs 1900-1930, The Bookmark Inc.(Dase)
Miss Millenial Pampanga 2017 FB Page: (Betis Carving-Dukit)
Singsing Magazine: (Burarul)

Sunday, December 10, 2017

68. 12 GIANT SAN FERNANDO LANTERN TRIVIA

COLORFUL 'SAMPERNANDU' LANTERN, Magazine Cover, Esso Silangan, 1965

The famed San Fernando giant lantern is a product of Kapampangan innovation, creativity and tireless effort. So the next time you witness their spectacular display of lights, color and dazzle, do appreciate the hard work put into each of these works of art that can be considered truly Kapampangan. Here are vintage photos and trivia about this Christmas parul that put Pampanga in the world map.
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EARLY LANTERN PHOTO, SAN FERNANDO.  Taken 26 Dec..1909.
Luther Parker Collection.
1.This predecessor of the modern day Giant Lantern Festival was actually a religious activity which we know today as “lubenas. The lanterns measured just two feet in diameter, created in each barrio from bamboo and other locally available materials. During the nine-day simbang gabi novena before Christmas, these paruls were brought around each barrio in procession to their visita. Before the midnight Mass on Christmas Eve, the lanterns were brought to the town church together with the barrio patrons. This tradition gradually evolved as the lanterns became bigger and the designs more intricate. Later, one big lantern was made for each barrio, which was created through a cooperative effort.
 
TYPICAL SAN FERNANDO PROCESSIONAL LANTERN,1960,
2. The first documented lantern maker was Francisco Estanislao, active ca. 1908, from Barrio Sta. Lucia, San Fernando. “Apung Isku”, aided by his wife, crafted paruls in the 1900s using bamboo sticks, cotton, string, satin and coco fabric panels, which were glued to the framework using gelatinous rice paste. The back is left uncovered to accommodate the ‘kalburo’ (carbide) lights.

 
DEL PILAR GIANT LANTERN, 1940s
3. The San Fernando Giant Lantern Festival, which is held every December, finds its roots in Bacolor where a much simpler activity was held. Following the transfer of the provincial capital from Bacolor to San Fernando in August of 1904, this parul event followed as well.

STO.NINO GIANT LANTERN, in 1956
4. The earliest mention of a lantern procession that culminated in a lantern contest, was reported in the religious publication  in a 1930 issue of,“Ing Misyonero”, (year 4, no. 11) that was won by brgy. Del Pilar, followed by Sto. Niño. The next year,  it was reported in the same magazine that eight  barrios participated in the Christmas pageant  that was highlighted by lively band music and a colorful lantern competition with Del Pilar achieving a back-to-back win.

LANTERN PARADE IN SAN FERNANDO, 1960
5. It is believed that electricity was introduced to the San Fernando lantern in 1931. At this time, the lights were controlled by individual switches that were turned on and off following the beat of the music. Pioneer participants included the barangays of Del Pilar, Sta. Lucia and San Jose.

GIANT LANTERNS, from 1960
6. According to another version claimed by old folks, the Giant Lantern Festival started during the time of Pres. Manuel L. Quezon. At that time, Quezon was trying to make Pampanga a model province. In fact, he made Arayat his vacation place and converted the legendary mountain into a tourist resort. As a show of gratitude to Quezon, the people of San Fernando held a Christmas lantern contest to honor the first family. Quezon himself donated the prize for this lantern contest, which was personally awarded to the winner by First Lady Aurora Aragon Quezon.

SAN FERNANDO LANTERN EXHIBIT, Luneta. 1961
7. Severino David, married to Fortunata Estanislao (daughter of Francisco) is credited with introducing the battery-operated giant lanterns in the 1940s. Great strides in the 1950s made the San Fernando Giant Lantern more visually impactful. Steel wire was introduced in 1950 by Mario Datu and Susing Manalang for use in making the framework of the lantern, thus making it stronger.

INTRICATE LANTERN DESIGN, 1965
8. In 1957, Rodolfo David  invented the rotor system that used ordinary hairpins, attached to the end of the wires leading to each individual bulb. Masking tape strips are placed on the rotor to serve as light switches. As the rotor is turned, the hairpins brushes the tape strips, thus cutting off the current flow that lit the bulbs. When that particular hairpin regains contact with the steel rotor, the bulbs are again lit. Thus, the placement of the tape on the rotors determines the interplay of lights on the lanterns and can spell success or disaster for each entry.

SAN FERNANDO LANTERNS used in a San Miguel Beer Ad.1969
9. The lanterns gained national prominence in 1960, when, the Board of Travel and Tourism Industry and the Philippine Tourist and Travel Association sponsored the San Fernando lantern parade in front of the Luneta Grandstand. Beginning in 1964,  San Fernando lanterns became available for sale to the public, giving birth to the commercial lantern industry.

SAN FERNANDO LANTERNS, 1969

10. The Giant Lantern Festival, which was already an established San Fernando institution was cancelled for two years (1978-1979) by Mayor Armando Biliwang  because of Martial Law. It was revived in 1980. In 1987, Former San Fernando Mayor Virgilio “Baby” Sanchez started producing Capiz lanterns for the export markets, with MAKVEL Enterprises. These lanterns followed the traditional San Fernando design and were developed with the assistance of the Design Center of the Philippines. The next year, the first fiberglass lanterns were installed at the Pampanga Convention.

SAN FERNANDO LANTERN, 1979
11. The new 90s decade saw the transfer of the annual Giant Lantern Festival to the Paskuhan Village. The lanterns made international appearances at the World Expo in Seville (1992), and at the Hollywood Christmas Parade (1993). The festival venue was relocated to the open parking grounds of the SM City Pampanga at the turn of the new millennium.

LANTERN MAKER, Jesus Maglalang. 1979
12. The best-performing barangays in the Giant Lantern Festival Competition include Del Pilar, which had an incredible 9-year winning streak in the 1980s. before that, Sta. Lucia was a perennial champion. Brgys. San Felipe and Telabastagan almost became Hall of Famers (3 championships in a row) in the first decade of the 2000. In recent times, Brgy. Dolores has bagged the championship 4 times in a span of 10 years.

BONUS!
Double Take: LANTERN LOOK-ALIKES
TRADITIONAL MEXICAN WREATHS, have designs that mimic that of the famed San Fernando lanterns. Could these have been design inspirations as we also have a history of Mexican-Philippine relations? Or just plain coincidence?

VERY ENGLISH, VERY SAMPERNANDU. A giant lantern of English make has a striking similarity with the giant San Fernando lantern of San Jose. Taken at the Covent Garden, London, 1965.

SOURCES:
Henares, Ivan Anthony S. (2001). HOW TO MAKE A GIANT LANTERN: The story Behind the Giant Lanterns of San Fernando. School Project. University of the Philippines.
HISTORY OF GIANT LANTERN-MAKING IN SAN FERNANDO, PAMPANGA (Estanisla-Davido-Quiwa Clan), by Landlee Quiwa
HISTORY OF THE LANTERN INDUSTRY : Its Contribution to the Local Economy and Tourism, Oct. 4, 2016, Makati City
Thanks to: Ching Pangilinan, CSF Tourism, Ken Gardiner