110. 10 KAPAMPANGAN MOVIE ACTRESSES AND THEIR ORIGINAL NAMES, part II

1. ROSA DEL ROSARIO

The pre-war Queen of the Philippine Movies was born in Bacolor (b. 15 Dec. 1919) as Rosa Stagner, the daughter of Agustina Del Rosario and American Frank Stagner. Her discovery was purely accidental. Rosa accompanied a foreign film director to Malayan Motion Pictures who was looking to work with a local  movie production  outfit. The wife of the owner of Malayan —Mrs. Jose Nepomuceno—saw her and convinced her husband to cast her in “Ligaw na Bulaklak”. She took her mother’s surname and was billed as Rosa del Rosario. Thus began her long, and successful career.  She starred with the major leading men of her time, but she is best known for her role as “Darna”, a comics super heroine created by Mars Ravelo that was made into a movie in 1951, and directed by Fernando Poe Sr.

2. LILIA DIZON

Born in 1931 as Claire Strauss, the only child of German-Jew Abraham Strauss with Kapampangan  Regina Dizon, Lilia Dizon began her showbiz career at age 15 as a singer at Lotus Theater. She was discovered for the movies by writer-director Susana de Guzman and was cast in her first lead role in  “Kaaway ng Babae,” (1948). At 17, she married director Gil de Leon, sixteen years her senior. She made her mark portraying strong woman roles in movies like “Sandra Wong,” “Kandilerong Pilak” (Asia’s Best Actress award in 1954), and "Bathaluman” with Mario Montenegro. After her 18 year-marriage ended, Lilia left for the U.S. in 1966 to join her father in California. She resurfaced in 1974 as the reel-and-real life mother of Christopher de Leon in the award-winning Brocka film, “Tinimbang Ka, Nguni’t Kulang”.

3. CHERIE GIL

Evangeline Rose Gil Eigenmann (b. 21 Jun. 1963), known in the movie world as  Cherie Gil was born to a showbiz family. Her mother, Rosemarie Gil, comes from the old Spanish family of Gils who settled in Porac. Cherie's father is 60s matinee idol, Eddie Mesa. She started her  career as actress-singer at age 9. As a singer, she scored a hit song with “(I Love You) Boy”, later covered by the Nailclippers. In films, she may be best known as Lavinia Arguelles in “Bituing Walang Ningning” (1985), Sharon Cuneta’s tormentor. She often appears as a movie villainess and still makes appearances in TV soaps, movies and in reality TV programs.

4. HILDA KORONEL

Born in Plaridel, Angeles City (b. 17 Jan. 1957) to Marina Higum and David Reid, Hilda was launched at age 13 in the movie “Haydee” (1970). Her acting skills were honed by renowned director Lino Brocka who transformed the teen sensation into to an actress of international repute. She was the youngest recipient of the FAMAS Best Supporting Actress award when she won for “Santiago” that same year. She took Cannes by storm with her intense portrayal of a daughter scorned in the 1975 movie, "Insiang". Formerly married to actor Jay Ilagan, Koronel now resides in the U.S.with second husband Ralph Moore.

5. LIZA LORENA

The Kapampangan actress who rose to stardom via a beauty pageant was born Elizabeth Ann Jolene Winsett y Luciano (b. 31 Oct. 1949) to American George Winsett and Magaleña, Josefina Luciano. She had been the first runner-up in the 1966 Bb. Pilipinas. This paved the way for movie offers. Nepomuceno Productions gave her a screen test, which she passed. She was cast as Esperanza in a major film headlined by  Charito Solis and Ric Rodrigo.  As Liza Lorena, she appeared in the critically acclaimed ”Dahil sa Isang Bulaklak” (1967),  the first Philippine movie in color by De Luxe. Her career spans 4 decades, with more than 185 movies and television shows to her credit. Her son with Eddie Gutierrez,Ton-Ton Gutierrez, is also an actor.

6. LYDIA MONTAÑEZ

Tatiana Korionoff (b. 1933) was the daughter of Russian Victor Paul Korionoff and Marcelina Simbulan of Arayat, Her father had fled his country at the height of Bolshevik revolution. From China, Korionoff  moved to the Philippines where, in 1926,  he found work as an engineer at the Arayat Sugar Central. He married the 18-year old Simbulan and settled in Arayat permanently. Tatiana was the eldest girl in a brood of 9. She was discovered for the movies by Leopoldo Salcedo. She took the screen name Lydia Montanez from her foster aunt named Lydia, and Montanez--from the mountain town where she was born. Lydia became a contract star for Fernando Poe Sr.'s Royal Productions, doing movies like "Lihim ni Bathala"."Maria Bonita", "Isinanlang Pagibig" and "Mona Lisa".

7. ALMA MORENO

Moreno (b. 25 May 1959) was the child of Frank Laxamana of Macabebe, with Jean Moreno. Named Vanessa (or Venesa) Moreno Laxamana, she shortened her name to Alma Moreno for her first movie, ”Urduja”. Her first starring role was in Ishmael Bernal’s “Ligaw na Bulaklak” Part 2 (1976), which turned her into a star. For portraying sexy, Lolita-type girls on screen, she was dubbed the  "Sex Goddess of Philippine Movies" of the 1970s-80s. Other noteworthy films: ” Eva Fonda, 16” (1976), “ City After Dark”(1980), and “Mga Bilanggong Birhen”. On TV, she was famous for her dance moves in The Other Side of Alma and LoveliNess.  She had relationships and children with Rudy Fernandez and  Dolphy. Moreno was also previously married  to Joey Marquez and Sultan Fahad Salic of Marawi. 

8. ROSITA NOBLE

The bedimpled Rosita Costenoble (b. 1934)  was the  first-born of  German immigrant, Herman von Costenoble, who a married local girl from Floridablanca, Maria Panlaqui. In 1951, at age 17, she was cast in the epic movie “Sta. Cristina”, under Premiere Productions. Before long, she became one of the hottest stars on the silver screen, known for her costumed action movies like “Ibong Adarna”, “Siete Infantes de Lara” and “Prinsipe Amante”.  She had the distinction of being the first leading lady to be paired with an up-and-coming young star—Fernando Poe Jr.—in “Anak ni Palaris” (1955). Rosita married Turkish-Filipino Antonio Basmayor Tani from Albay, with whom she had 5 children.

9. PATSY

The loveable, laughable Patsy Patsotsay was born (b. 12 Apr. 1916) as Pastora Mateo. Her father hails from Lubao. She started as a bodabil song-and-dance girl who performed alongside such veterans as Katy de la Cruz, Tugo, Pugo and Amanding Montes. Patsy was also part of the celebrated group of seven bungling househelps ( with Aruray, Chichay, Menggay, Elizabeth Ramsey, Dely Atay-Atayan, Metring David) in the blockbuster movie “Pitong Atsay” (1962). But she is perhaps most well-known as a co-host (with Lopito) of the greatest talent search in Philippine TV history--Tawag ng Tanghalan.

10. ROSA ROSAL

Florence Danon y Lansang  (b. 16 Oct. 1931) of  Sta. Rita, Pampanga, was discovered by film producer Luis Nolasco and was introduced in “ Fort Santiago” (1946). She became an  LVN Pictures star, most famous for her role as a vamp with the heart of gold in the award-winning “Anak Dalita” (1956) directed by Lamberto Avellana. Other notable movies: "Sonny Boy" (1955) for which she won a FAMAS Best Actress award), "Badjao"(1956) and "Biyaya ng Lupa" (1959) .Rosal is also well-known for her charitable and humanitarian  work with “Kapwa Ko, Mahal Ko”, and the Red Cross. For her selfless efforts, she received the Ramon Magsaysay Award for Public Service. Married to Walter Gayda with whom she has a daughter,  Toni Rose.

106. 12 SIGNIFICANT EVENTS THAT HAPPENED IN CLARK

Clark Air Base’s history is intertwined with the history of the Philippines since that fateful day when the United States established its presence at the turn of the 20^th century—1902 to be exact--that was to last a hundred years. Here are some significant moments that happened in “Pampanga’s piece of America”.

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THE BOMBING OF CLARK, 8 December 1941

After the attack of Pearl Harbor by the Japanese forces, airstrikes against the U.S. were planned  on its military bases in the Pacific to prevent intervention of the the Far East Force (FEAF). Also, the capture of the Philippines was necessary to control the shipping routes between Japan and Greater East Asia Co-Prosperity Sphere, which consisted of Japan-occupied countries during World War II. At Takao Naval Air Base, 27 Mitsubishi G4M Type 1 land attack bombers  of the Takao Kokutai took off  on 8 December 1945, at 9:30 a.m. with Clark Field as their target. At 12 noon, Clark Field received warning of the approaching airstrike. Thirty five minutes later, 53 Japanese bombers dropped down bombs on Clark Field, followed by the Zero pilots descending to strafe the field thoroughly. While a few American P-40’s were airborne, they could not provide counter attacks as they were poorly positioned.  Twelve of Clark Field’s seventeen   B-17 planes were destroyed, while 34 P-40s were destroyed on the ground and in aerial combat.

Earlier, 11 B-17s had been flown to safety to Mindanao before the attack, while 2 remained unscathed as they were on reconnaissance missions. The American forces regained Clark Filed on 31 January 1945.

THE FATAL CRASH OF PILOT CAPT. COLIN P. KELLY. 10 December 1941

 Capt. Colin Purdie Kelly Jr. (b. 11 July 1915/10 Dec. 1941) was a B-17 pilot who died in action against the Japanese forces in 1941. The Madiosn, Florida native was a West Point 1937 graduate  how as the first Army officer to fly the Boeing Flying Fortress in the Far East. On 10 Dec. 1941, Kelly took off from Clark Field in his B-17 plane with his bombardier, Sgt. Meyer Levin, to engage the Japanese in a bombing run. He managed to damage the Japanese cruiser Natori. Returning to Clark,  the Tainan Air Group A16Ms that were patrolling Vigan followed Kally’s plane and attacked it. Nearig Clark, his damaged aircract caught fire. Kelly ordered his crew to bail out but the plane blew up, killing him. Capt. Kelly was declared America’s first hero of WWII by US President Franklin D. Roosevelt. He was posthumously awarded the Distinguished Service Cross For "extraordinary heroism" and "selfless bravery". The Kelly Theater in Clark, converted from an old gymnasium in 1947 was named after him. A memorial statue of the hero was inaugurated on the Kelly Theater grounds on 10 Dec. 2007—the 66th year of his passing.

PRES. MANUEL A. ROXAS DIES IN CLARK, 15 April 1948

On 15 April 1948, upon the invitation from Maj. Gen. E. L. Eubank, Pres. Manuel A. Roxas, along with Sen. Pres. Jose Avelino, Speaker Eugenio Perez and Gen. Rafael Jalandoni, visited Clark Air Base. His tour was capped by a speech he delivered at the Kelly Theater. He felt faint after his speech, and so he was talen to the residence of Maj. Gen. Eubank to rest. It turned out that his condition was a prelude to a series of heart attacks that led to his death at 9:23 in the evening. The president’s body was brought to Manila the following day on a special train that reeached Malacañang at 9:20 a.m.

CLARK AS A LOGISTICS HUB DURING THE VIETNAM WAR, 1964-75

During the second phase of the Cold War, Clark grew into a major American air base, serving as an important logistics hub during the 20 year Vietnam War. Clark joined the war effort in March 1964; its  KC-135 tankers refuelled fighters enroute to Laos. Injured American soldiers were evacuated and flown weekly from the Saigon airport to Clark Air Base, to be treated or operated on at the Clark Air Base Hospital. Touted as “Asia’s Military Medical Center” when it opened in 1964, the hospital was the savior of thousands of American military men and their families, recognized for its exceptional medical services and treatment of soldiers. At the height of the War, 70% of the patients at the Clark hospital were soldiers who sustained varying degrees of injuries in the battlefields. The Clark Air Base mortuary also served as the place for the processing of Vietnam War casualties,  headed by a mortuary officer, who help ensured the dignified transfer of the body to a team of military personnel for conveyance to the port mortuary and finally to his family. In 1975, after the end of the ground combat, Clark Air Base was also used for the massive evacuation of Vietnamese orphan children, dubbed as   Operation Babylift. The operation expanded to include evacuation of adult refugees from Saigon, Phnom Penh, and Vientiane, and the humanitarian effort became known as “Operation New Life”.

BOB HOPE’S USO SHOWS IN CLARK AIR BASE, 1966, 1967, 1972, 1987

From 1964 to 1972, the famous stand-up comic Bob Hope entertained U.S. troops in Southeast Asia, in his annual Christmas USO (United Services Organization) shows. The one-man moral booster machine took his shows to Vietnam, Laos, Guam, Thailand. Diego Garcia, Wake Island, and Clark Air Base in the Philippines, which he described as the “Country Club of the Pacific”. In January 1966, Hope arrived in Clark and was welcomed by the base commander Lt. Gen. James Wilson. His show that year featured Phyllis Diller, Chris Noel, Joey Heaherton and regulars Les Brown and his Band of Renown. By Christmas 1967, the number of American military in Vietnam had reached almost 500,000, resulting in massive crowds  and making Hope’s appearances even more important for boosting morale. He was welcomed by gen. Benjamin O. Davis in Clark where his shows featured Raquel Welch , Barbara McNair, Phil Crosby and Miss World, Madeleine Hartog Bell. His last stop in Clark was for his 1987 USO show which was taped for TV entitled “'Bob Hope`s USO Christmas from the Persian Gulf-Around the World in Eight Days”.   Guests included Barbara Eden, Lee Greenwood and Connie Stevens.

POWs HOMECOMING,  12 February  1973

In 1968, RichardM.Nixon was elected as the new U.S. president and he began move to end the conflict in Vietnam. The number of American forces in Southeast Asia was also substantially reduced. His policy was to give continued support to non-communist SEA  countries, while lessening military presence in the areas. One immediate U.S. demand to North Vietnam was for the full release of American POWs and an accurate accounting of  servicemen missing or killed in action. It was in 1972 that an agreement was reached for the repatriation of prisoners, and Clark Air Base as designated as the point of the POWs return from Hanoi.  “Operation Homecoming” thus began on 12 February 1972 when  a C-141A Starlifter transport jet took off from Hanoi and the first flight of 40 U.S. prisoners of wars began their journey home. Arriving at Clark at around 4:15 P.M., the POWs returned to a hero’s welcome, received by Adm. Noel Gayler, Commander-in-Chief of the Pacific Command; Lt.  Gen. William G. Moore, 13th  Air Force Commander; and Air Force Sr. Master Sgt. Homer E. Henderson, Joint Information Bureau Asst. Non-comm. O-I-C. A second group followed on February 18, until all the 591 POWs were returned home by late March 1973. On 6 April 1975, the Clark Air Base Peace Garden was dedicated to the memory of those who died or were declared "missing in action" in Southeast Asia.

THE PHILIPPINE ADMINISTRATION OF CLARK AIR BASE, 7 January 1979

A pivotal period in Clark Air Base history began in the year 1979, when the government of the Philippines began assuming administration of the Asia’s biggest American military base. When the revised 1947 Military Bases Agreement was ratified on January 7, it was put into effect immediately and on February 16,  the command and security command and security of Clark and other American bases was officially turned over to to the Philippine government. The size of the Clark reservation was also trimmed from 156,204 acres to 131,000 acres, while the base size remained the same at 9155 acres. On March 25, Clark's third major labor strike occurred.

PRES. FERDINAND MARCOS FLEES THE COUNTRY VIA CLARK, 25 February 1986

When the People Power street rallies turned into a nationwide revolution, the desperate Marcos called the office of the U.S. president, and managed to talk to Senator Paul Laxalt. He asked the senator if the State Department’s advice for him to step down was valid, further asking if there was a way for him to share power with Mrs. Cory Aquino, whom he beat by rigging the snap elections. When Sen. Laxalt told him it was time “to cut and cut cleanly”, the embattled Marcos agreed to give up the presidency to avert further violence and possible bloodbath. Marcos was given a safe passage with helicopters from Clark Air Base's 31 ARRS picking him up at his Presidential palace, and flying him to the Clark airport. There, he and his retinue transferred to a C-9A and were flown first to Guam’s Hickam Air Force Base enroute to Hawaii

FILIPINO EMPLOYEES’ STRIKES ROCK CLARK, 1971, 1983,  22 March 1986

The first time that Filipino employees went on strike in Clark was when they stage a walk-out on 3 March 1971. This came a time when ant-American sentiments was at its most high. The strike was ended after 3 days, but only 4 months later, on July 25,  a bigger strike followed that lasted for 25 days. Another strike happened in October 1983, when thousands of Filipino workers went on indefinite strike today over demands for wage increases. Pres. Reign was due to visit that year, but the trip was called off. But the most serious civilian employees strike was stage on 22 March 1986. Thousands of Filipino workers  blockaded the gates of both Clark and Subic on 25 March in a

MT. PINATUBO ERUPTION ENDS AMERICA’S PRESENCE IN CLARK

As early as April, pilot in Clark have reported seeing ominous smoke emanating from Mount Pinatubo, a volcano that has not erupted in 500 years. When it was clar that an eruption was imminent, Clark mounted a massive evacuation  of 15,000 U.S. personnel and their dependents on June 10. The major June 12 eruption dumped tons of ash on Clark.  But another eruption in June 15, exacerbated by passing typhoon Yunya, further cause massive damages, and all but buried the military base in a sea of ash, mud, pyroclastic materials and lahar. About 2,500 servicemen and women stayed on to provide security and try to maintain basic services. Meanwhile, the extension of the Military Bases Agreement was rejected by the Philippine Senate, and was due to expire on September 16. Driven by budgetary realities (it would tae $500 million to rehabilitate Pinatubo-damaged Clark)  and nature's explosive whims, the U.S. did not renegotiate anymore and agreed to leave Clark Air Base in 1992 but keep the sprawling Subic Bay Naval Base for 10 more years. The U.S. Air Force formally transferred entire Clark to the Philippines on 26 November 1991, ending its 100 years in the Philippines. On 24 November 1997, the last U.S. forces left the Philippines.

THE CLARK AIRPORT BEGINS COMMERCIAL OPERATIONS, 1995

The airport was rehabilitated from the damaged US Clark Air Base that was  closed in 199. After two years of cleaning up debris and lava, the Clark Special Economic Zone was opened on the site with the airport at the center. In 1995, the Clark International Airport Corporation was established to manage the airfield facilities. In 1996, limited air service from Clark to Hong Kong began, signaling the first international flight. Renamed Disodado Macapagal Airport by Pres. Gloria Macapagal-Arroyo in 2003  to honor her father, it reverted back to Clark International Airport in February 2012. Today, Clark hosts 490 flights per week (332 Domestic flights, 158 International flights), with  19 local and 11 international destinations, as of June 2018.

CLARK HOSTS APEC MEETING 2015

The Philippines hosted the year-long Asia-Pacific Economic Cooperation (APEC) summit in 2015. It was held against the backdrop of Chinese intrusion f islands in the South China Sea, contested by several countries, like Vietnam, Japan, Malaysia, and the Philippines. The First Senior Officials' Meeting and Related Meetings were held at the Fontana Leisure Park, Clark Freeport, Angeles City and Subic Bay, Zambales, from 26 January to 7 February 2015. Kapampangan DFA-Undersecretary Laura Quiambao-del Rosario was chair of the summit.

SOURCES:

CLARK BOMBING: https://bataancampaign.wordpress.com/2014/12/08/the-japanese-juggernaut-unleashed/

CRASH OF CAPT. KELLY: https://en.wikipedia.org/wiki/Colin_Kelly

ROXAS DIES: https://kahimyang.com/kauswagan/articles/1431/today-in-philippine-history-april-15-1948-president-roxas-died-of-heart-attack-in-clark-air-force-base

CLARK AS LOGISTICS HUB:

THE STARS AND STRIPES ARCHIVES “Vietnam wounded go 1st class on air ambulance (1965), U.S. SOLDIERS IN VIETNAM”: https://www.stripes.com/news/vietnam-wounded-go-1st-class-on-air-ambulance-1.292349

Operation baby Lift Affects Wagner: http://wagner7580.blogspot.com/2016/02/operation-babylift-affects-wagner.html

BOB HOPE: Bob Hope, The USO One Man Morale Machine https://www.uso.org/stories/154-bob-hope-the-uso-s-one-man-morale-machine

Bob Hope Youtube Video: https://www.youtube.com/watch?v=WLLP0D3gLfk

Bob Hope Special January 19th, 1966: https://www.youtube.com/watch?v=75jUL2E6tEQ&t=4120s

AMERICAN POWS: https://www.af.mil/News/Article-Display/Article/109716/operation-homecoming-for-vietnam-pows-marks-40-years/

PHILIPPINE ADMIN OF CLARK: : http://www.clarkab.org/history/

MARCOS FLEES PHILIPPINES: https://www.apnews.com/25ef78113ad707b046226114a25c037d

CLARK EMPLOYEES’ STRIKE: http://www.clarkab.org/history/

The Washington Post, “Filipinos Strike at U.S. Base” https://www.washingtonpost.com/archive/politics/1983/10/04/filipinos-strike-at-us-base/6a003fd0-acc3-423d-84d2-9a0d680b7e9e/?utm_term=.11cff6a0866d

MT. PINATUBO ENDS AMERICA’S PRESENCE: http://www.clarkab.org/history/

CLARK AIRPORT: https://en.wikipedia.org/wiki/Clark_International_Airport
Photo: I Remember Clark Air Base FB page

CLARK HOSTS APEC MEET:

Photo courtesy of Mick Basa/Rappler.

https://ph.news.yahoo.com/apec-2015-senior-officials-meeting-000000371.html

77. 10 RARE AND EARLY PHOTOS OF FLAGELLANTS IN PAMPANGA

The ways of  flagellants have always inspired awe and curiosity amongst the faithful during the days of Lent. Pampanga flagellants, however, have a different intent. Bloodied, scourged and caked with dust, magdarames live and act out the passion of the Lord—and the term “dámé”, to sympathize and share one’s grief, to take part in someone else’s suffering-- captures this spirit of oneness, in pain and sorrow. Here are, early images of the “magdarame” in Pampanga,  preserved by the camera from the turn of the 20^th century to the 1950s.

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1. MAMALASPAS

Barefooted flagellants from the early 20th century have their backs incised with wounds, drawing blood by whipping their backs with burilyos--bamboo strips tied to a cloth. These magdarame types are called mamalaspas, A distinctive sound is heard when the bamboo strips strike the flesh.

2. MAGDARAMES IN A VISITA

Makeshift chapels of wood, nipa and light materials serve as pitstops for  retinue of magdarames. Here, at these gaily decorated visitas, they pause to say their prayers, before moving on.

 3. MAGDARAME ANONYMOUS.

A magdarame remains anonymous by covering his face with a black hood or a white cloth, called "capariza", held in place by a crown of vines or twisted branches. These days, the face cover is an option as some modern-day flagellants expose their faces to the world. Instead, a piece of cloth is used to covers their heads, Arab-style.

4. BLOOD AND GORE

The back of a magdarame  is incised with a panabad, a paddle with shards of broken glass or directly with a razor or the sharp tip of a knife, such as the one shown in the photo.

5. EYES ON THE MAGDARAME

A group of American ladies from nearby Fort Stotsenburg gawk at a cross-bearing magdarame, followed by his aide, who intones prayers. Then, as now, magdarames were strange sights to see for foreigners. Today, the display of unusual practices such as flagellation and crucifixion are part of a 'religious tourism program' propagated by such places led by the City of San Fernando.

 6. THE CROSS-BEARERS

A popular type of magdarame is the cross-bearer or mamusan kurus. He either carries a cross or is tied to one. This flagellant carries a cross of bamboo, and he carries its full weight as the cross does not touch the ground. Today's crosses are fashioned from commercial lumber from hardware stores, or fashioned from old electric posts. They are also unusually long, so that the end of the cross touches the ground, thus providing support,

 7. THE WAY OF THE CROSS

Flagellants often walked country trails and roads, in small packs of 8 to 12. Others go on solitary walks, the better to reflect on his personal mission to be united in suffering with Christ. An American in a white suit follows this group in their walk of faith.

8. WHIP IT GOOD!

Another kind of magdarame is the sasalibatbat, who fling their bodies to the ground, rolling over sharp rocks and stones in the process. They are followed by a flogger, who whips them when they are on the ground. Their torsos, legs and arms are tied with abaca rope to impair circulation, hence making the experience more torturous.

9. EVERYTHING'S ALRIGHT?

An ayudante checks on the condition of a magdarame, sprawled on the field under the hot, mid-day sun.  The walk around town begins in the morning, ends by early afternoon and is followed by a dash to the nearest river for a quick, recuperative bath.

10. CRUCIFY HIM!

A magdarame is symbolically crucified, by having his arms tied on the crossbar.  The first re-enactment of Christ's crucifixion happened in the 1955 "Via Crucis" in San Fernando, but it was only in 1962 that an actual crucifixion was done, with the nailing of Artemio Anoza to the cross in barrio San Pedro Cutud. Anoza believed he could realize his dream to be a faith healer with his crucifixion.

PHOTO SOURCES:

Photos, courtesy of "Old Pampanga" FB Group.

Others: Alex R.castro, ebay.com 

68. 12 GIANT SAN FERNANDO LANTERN TRIVIA

COLORFUL 'SAMPERNANDU' LANTERN, Magazine Cover, Esso Silangan, 1965

The famed San Fernando giant lantern is a product of Kapampangan innovation, creativity and tireless effort. So the next time you witness their spectacular display of lights, color and dazzle, do appreciate the hard work put into each of these works of art that can be considered truly Kapampangan. Here are vintage photos and trivia about this Christmas parul that put Pampanga in the world map.

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EARLY LANTERN PHOTO, SAN FERNANDO.  Taken 26 Dec..1909.
Luther Parker Collection.

1.This predecessor of the modern day Giant Lantern Festival was actually a religious activity which we know today as “lubenas.” The lanterns measured just two feet in diameter, created in each barrio from bamboo and other locally available materials. During the nine-day simbang gabi novena before Christmas, these paruls were brought around each barrio in procession to their visita. Before the midnight Mass on Christmas Eve, the lanterns were brought to the town church together with the barrio patrons. This tradition gradually evolved as the lanterns became bigger and the designs more intricate. Later, one big lantern was made for each barrio, which was created through a cooperative effort.

 

TYPICAL SAN FERNANDO PROCESSIONAL LANTERN,1960,

2. The first documented lantern maker was Francisco Estanislao, active ca. 1908, from Barrio Sta. Lucia, San Fernando. “Apung Isku”, aided by his wife, crafted paruls in the 1900s using bamboo sticks, cotton, string, satin and coco fabric panels, which were glued to the framework using gelatinous rice paste. The back is left uncovered to accommodate the ‘kalburo’ (carbide) lights.

 

DEL PILAR GIANT LANTERN, 1940s

3. The San Fernando Giant Lantern Festival, which is held every December, finds its roots in Bacolor where a much simpler activity was held. Following the transfer of the provincial capital from Bacolor to San Fernando in August of 1904, this parul event followed as well.

STO.NINO GIANT LANTERN, in 1956

4. The earliest mention of a lantern procession that culminated in a lantern contest, was reported in the religious publication  in a 1930 issue of,“Ing Misyonero”, (year 4, no. 11) that was won by brgy. Del Pilar, followed by Sto. Niño. The next year,  it was reported in the same magazine that eight  barrios participated in the Christmas pageant  that was highlighted by lively band music and a colorful lantern competition with Del Pilar achieving a back-to-back win.

LANTERN PARADE IN SAN FERNANDO, 1960

5. It is believed that electricity was introduced to the San Fernando lantern in 1931. At this time, the lights were controlled by individual switches that were turned on and off following the beat of the music. Pioneer participants included the barangays of Del Pilar, Sta. Lucia and San Jose.

GIANT LANTERNS, from 1960

6. According to another version claimed by old folks, the Giant Lantern Festival started during the time of Pres. Manuel L. Quezon. At that time, Quezon was trying to make Pampanga a model province. In fact, he made Arayat his vacation place and converted the legendary mountain into a tourist resort. As a show of gratitude to Quezon, the people of San Fernando held a Christmas lantern contest to honor the first family. Quezon himself donated the prize for this lantern contest, which was personally awarded to the winner by First Lady Aurora Aragon Quezon.

SAN FERNANDO LANTERN EXHIBIT, Luneta. 1961

7. Severino David, married to Fortunata Estanislao (daughter of Francisco) is credited with introducing the battery-operated giant lanterns in the 1940s. Great strides in the 1950s made the San Fernando Giant Lantern more visually impactful. Steel wire was introduced in 1950 by Mario Datu and Susing Manalang for use in making the framework of the lantern, thus making it stronger.

INTRICATE LANTERN DESIGN, 1965

8. In 1957, Rodolfo David  invented the rotor system that used ordinary hairpins, attached to the end of the wires leading to each individual bulb. Masking tape strips are placed on the rotor to serve as light switches. As the rotor is turned, the hairpins brushes the tape strips, thus cutting off the current flow that lit the bulbs. When that particular hairpin regains contact with the steel rotor, the bulbs are again lit. Thus, the placement of the tape on the rotors determines the interplay of lights on the lanterns and can spell success or disaster for each entry.

SAN FERNANDO LANTERNS used in a San Miguel Beer Ad.1969

9. The lanterns gained national prominence in 1960, when, the Board of Travel and Tourism Industry and the Philippine Tourist and Travel Association sponsored the San Fernando lantern parade in front of the Luneta Grandstand. Beginning in 1964,  San Fernando lanterns became available for sale to the public, giving birth to the commercial lantern industry.

SAN FERNANDO LANTERNS, 1969

10. The Giant Lantern Festival, which was already an established San Fernando institution was cancelled for two years (1978-1979) by Mayor Armando Biliwang  because of Martial Law. It was revived in 1980. In 1987, Former San Fernando Mayor Virgilio “Baby” Sanchez started producing Capiz lanterns for the export markets, with MAKVEL Enterprises. These lanterns followed the traditional San Fernando design and were developed with the assistance of the Design Center of the Philippines. The next year, the first fiberglass lanterns were installed at the Pampanga Convention.

SAN FERNANDO LANTERN, 1979

11. The new 90s decade saw the transfer of the annual Giant Lantern Festival to the Paskuhan Village. The lanterns made international appearances at the World Expo in Seville (1992), and at the Hollywood Christmas Parade (1993). The festival venue was relocated to the open parking grounds of the SM City Pampanga at the turn of the new millennium.

LANTERN MAKER, Jesus Maglalang. 1979

12. The best-performing barangays in the Giant Lantern Festival Competition include Del Pilar, which had an incredible 9-year winning streak in the 1980s. before that, Sta. Lucia was a perennial champion. Brgys. San Felipe and Telabastagan almost became Hall of Famers (3 championships in a row) in the first decade of the 2000. In recent times, Brgy. Dolores has bagged the championship 4 times in a span of 10 years.

BONUS!

Double Take: LANTERN LOOK-ALIKES

TRADITIONAL MEXICAN WREATHS, have designs that mimic that of the famed San Fernando lanterns. Could these have been design inspirations as we also have a history of Mexican-Philippine relations? Or just plain coincidence?

VERY ENGLISH, VERY SAMPERNANDU. A giant lantern of English make has a striking similarity with the giant San Fernando lantern of San Jose. Taken at the Covent Garden, London, 1965.

SOURCES:

Henares, Ivan Anthony S. (2001). HOW TO MAKE A GIANT LANTERN: The story Behind the Giant Lanterns of San Fernando. School Project. University of the Philippines.

HISTORY OF GIANT LANTERN-MAKING IN SAN FERNANDO, PAMPANGA (Estanisla-Davido-Quiwa Clan), by Landlee Quiwa

HISTORY OF THE LANTERN INDUSTRY : Its Contribution to the Local Economy and Tourism, Oct. 4, 2016, Makati City

http://www.mapabcdf.com.ph/documents/presentations/Countryside%20Development/Tourism,%20Travel%20and%20Homesteads/Lantern%20industry%20in%20San%20Fernando%20-%20Copy.compressed.pdf

Giant Lantern Website: http://www.giantlantern.ph/index.php/about/history

Thanks to: Ching Pangilinan, CSF Tourism, Ken Gardiner

66. 20 FUNERAL TRADITIONS & PRACTICES THAT KAPAMPANGANS OBSERVE

All Saints’ Day (Todos Los Santos on Nov. 1) and All Souls Day (Nov. 2) used to be 2 distinct observances until somehow, they merged as one. When campo santos (cemeteries) began being built outside of the town, folks found it convenient to divide their pious duties: Nov. 1 was devoted to grave visits while Nov. 2 was reserved for church rites. Death came early for Filipinos in the 19th century; life expectancy was just about 35 years. Life, was indeed precious, which was why, death was considered major rite of passage, with traditional ceremonies and post-mortem practices created around the inevitable.

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1.There were certain portents of death that old Kapampangan folks believed in: the appearance of a black moth, a dog digging up the ground for no apparent reason, the dreaming of a loss tooth, combing one’s hair at night. To avoid untimely deaths, one should neither position his bed towards the door nor join a picture-taking session if the number of subjects is either 3 or 13. If the toes of the dead curled inwards, beware of another impending death.

2.As soon as someone died in the neighborhood (indicated by loud wailing), neighbors knew exactly what to do next. Members of the grieving family were not allowed to do any work, and so the neighbors took over. There were no funeral services, no embalming, and so everything that needed to be done must be done quickly, before decomposition set in (burial must take place within 24 hours)

3.Early Filipinos believed in the mystical number 7, representing the 7 holes of the head. Our pre-colonial ancestors thus covered their dead’s faces with a death mask cut out with 7 holes. But Kapampangans also believed that an invisible 8th hole exists at the crown of the head of certain special persons, gifting them with the power to liaise between the dead and the living.

4.The deceased was laid on his bed decorated with hangings (black for an adult, white for a child). If the deceased did not own a bed, he was laid out on a mat (dase or banig) on the floor. A black cloth is draped in front of the house to signify a death in the household.

5.The grieving family would have nothing to do but stay beside the dead to weep (they had less than 24 hours to say their final good-byes). If they had to talk to visitors at all, it should be about the life and legacy of the departed.

6.Meanwhile, the teenagers stayed up all night to keep watch and guard against the magcucutud (or manananggal), the airborne supernatural creatures who stole corpses. They entertained themselves by playing card games like entre siete and pierde y gana or playing the traditional Kapampangan games of caragatan (or bugtungan) and talubangan (or bulaclacan), where the boys played butterflies to the girls' flowers.

7.There are certain no-no’s when a death in the family occurred. The family of the deceased were prohibited from bathing, cleaning the house or getting a haircut. The children of the deceased were not supposed to play; if they did, old folks warned, they'd go crazy. A dead should not be perfumed lest he decomposes faster.

8.Children and infants were carried across the coffin to prevent hauntings by the deceased. Taking out the deathbed through the window is another sure way to ward off ghostly encounters.

9.In Macabebe they still do tagulele, an ancient practice that the Bergaño dictionary defined as "the chant of lamentation during a person's wake or burial, relating the bravery of the deceased."

10.Any form of house cleaning is still prohibited during the wake, or another member of the family might also die. When the coffin is already being carried out of the house, however, it should be followed with sweeping of the floor, to drive away illness and bad spirits.

11.Some relatives must also stay behind and peep out of the windows as the coffin is being taken out. The deceased person's bed must be discarded by taking it out of the house through a window, to ensure his happiness in the next life and to prevent another death in the family.

12.The Church dictated the rituals associated with the dead and the dying. Back then, fees were being collected by unscrupulous frailes for walking the dead to his burial ground or for ringing the church bells a certain number of times. During a funeral procession, prayers were intoned at regular intervals called “posas”.

13.During the funeral procession, everyone (not just the family) should be in black and holding lighted candles. The widow and female relatives should wear sucong (long black veils). Rich families spend more to have a punebre (funeral band) and the parish priest accompanying the dead to the cemetery.

14.In those days when there were still no public cemeteries, the dead were buried in private properties, usually the backyard. A child's corpse was always buried neck-deep while a male adult's corpse only knee-deep, in the belief that the soul of older people needed to get out of this world more quickly.

15.When it was time for the dead to be buried, the coffin, as was the custom in old Mabalacat, was placed on a “lankayan”, a stretcher of bamboos, which was then carried on the shoulders of 4 persons. Shortly before burial, relatives younger than the deceased took turns kissing his hand, while the children were held up and passed to waiting arms across the coffin to prevent hauntings. Taking out the deathbed through the window is another sure way to ward off ghostly encounters.

16.Everyone threw in a handful of soil as the casket was lowered, but only the gravediggers were permitted to look at it. There was also the prevalent practice of burying a rosary with the dead, but it had to be cut first lest the dead became restless. (Death is the end of our physical life, but a rosary, in a chain form, is “endless”, so it also needs to be cut).

17.In the first two nights after burial, family and friends gathered around a makeshift altar inside the house to pray for the deceased, have bread, sweets and tea or coffee (nothing more), followed by merriment (more caragatan and talubangan).

18.On the third night, when the soul was believed to come for a brief visit, a seat would be reserved for him at the dining table where ash, instead of food, was put on his plate and covered with cacaricucha leaves. The soul would be pleased to see this and would reward his loved ones with a passing apparition or even clues to some hidden wealth.

19.From fourth to eighth nights, only bread, sweets and tea/coffee would be served again to those who participated in the prayer vigils, but on the ninth night (the uacas of the pasiyam), a big dinner was served. Groups of visitors took turns praying for the deceased before proceeding to the dinner table.

20.The period of mourning ends after a year—lukas paldas—and on this day, the black clothes worn by the bereaved family are finally replaced and kept in the baul. A pa-misa and a grand salu-salo cap this day, with everyone reminiscing about the past year and of the days with their beloved departed. Tears are wiped, laughter returns. Indeed, to everything, there is a season.

SOURCES:

Tantingco, Robby P. 'Death and Our Neighbors", http://robbypeanutgallery.blogspot.com/2010/11/death-and-our-neighbors.html

Castro, Alex. Kematen: A Time to Mourn/ Mourning Mortality, www.viewsfromthepampang.blogspot.com